In order to better understand the procedures for digital archiving of paintings employed by such research projects as VASARI and MARC, we have digitally archived our own painting. Our intention was not to beat the results of established research projects, because such projects already have far more specialized equipment than us. Instead, we hope to gain insight into the difficulties often encountered by digital archivists. To this end, we now walk you through our own archiving method.

Camera Calibration
               Camera Information
               Camera Limitations
               Intro to Calibration
               Gamma Correction
               Conversion to XYZ
               Finding deltaEs for Test Values
               Comments on Calibration

Archiving a Sample Painting
               The Painting
               Image Registration
               Image Capture
               Sub-Image Stitching
               Image Correction
               Printing